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Godel, Escher & Bach: An Eternal Golden Braid






















Godel, Escher & Bach – An Eternal Golden Braid

By  Douglas Hofstadter

824 pages  February 5, 1999

Douglas Hofstadter’s book is concerned directly with the nature of “maps” or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it. If life can grow out of the formal chemical substrate of the cell, if consciousness can emerge out of a formal system of firing neurons, then so too will computers attain human intelligence. Gödel Escher and Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more.

Twenty years after it topped the bestseller charts, Douglas R. Hofstadter’s Gödel, Escher, Bach: An Eternal Golden Braid is still something of a marvel. Besides being a profound and entertaining meditation on human thought and creativity, this book looks at the surprising points of contact between the music of Bach, the artwork of Escher, and the mathematics of Gödel. It also looks at the prospects for computers and artificial intelligence (AI) for mimicking human thought. For the general reader and the computer techie alike, this book still sets a standard for thinking about the future of computers and their relation to the way we think.

Hofstadter’s great achievement in Gödel, Escher, Bach was making abstruse mathematical topics (like undecidability, recursion, and ‘strange loops’) accessible and remarkably entertaining. Borrowing a page from Lewis Carroll (who might well have been a fan of this book), each chapter presents dialogue between the Tortoise and Achilles, as well as other characters who dramatize concepts discussed later in more detail. Allusions to Bach’s music (centering on his Musical Offering) and Escher’s continually paradoxical artwork are plentiful here. This more approachable material lets the author delve into serious number theory (concentrating on the ramifications of Gödel’s Theorem of Incompleteness) while stopping along the way to ponder the work of a host of other mathematicians, artists, and thinkers.

The world has moved on since 1979, of course. The book predicted that computers probably won’t ever beat humans in chess, though Deep Blue beat Garry Kasparov in 1997. And the vinyl record, which serves for some of Hofstadter’s best analogies, is now left to collectors. Sections on recursion and the graphs of certain functions from physics look tantalizing, like the fractals of recent chaos theory. And AI has moved on, of course, with mixed results. Yet Gödel, Escher, Bach remains a remarkable achievement. Its intellectual range and ability to let us visualize difficult mathematical concepts help make it one of this century’s best for anyone who’s interested in computers and their potential for real intelligence. –Richard Dragan

Topics Covered: J.S. Bach, M.C. Escher, Kurt Gödel: biographical information and work, artificial intelligence (AI) history and theories, strange loops and tangled hierarchies, formal and informal systems, number theory, form in mathematics, figure and ground, consistency, completeness, Euclidean and non-Euclidean geometry, recursive structures, theories of meaning, propositional calculus, typographical number theory, Zen and mathematics, levels of description and computers; theory of mind: neurons, minds and thoughts; undecidability; self-reference and self-representation; Turing test for machine intelligence.

Winner of the Pulitzer Prize, this book applies Godel’s seminal contribution to modern mathematics to the study of the human mind and the development of artificial intelligence.
A Musico-Logical Offering. The book opens with the story of Bach’s Musical Offering. Bach made an impromptu visit to King Frederick the Great of Prussia, and was requested to improvise upon a theme presented by the King. His improvisations formed the basis of that great work. The Musical Offering and its story form a theme upon which I “improvise” throughout the book, thus making a sort of “Metamusical Offering”. Self-reference and the interplay between different levels in Bach are discussed: this leads to a discussion of parallel ideas in Escher’s drawings and then Gödel’s Theorem. A brief presentation of the history of logic and paradoxes is given as background for Gödel’s Theorem. This leads to mechanical reasoning and computers, and the debate about whether Artificial Intelligence is possible.

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